Woodwork Art Using Pieces of Different Types of Wood
Traditional Arts & Folklife Listing
Craft Traditions
| Art Anderson Fine art's involvement in woodworking began in his teens and he has spent many years perfecting his skills. More than that 20 years ago began combining his imagination and expertise to brand traditional wooden toys and circus wagons. His pieces are whimsical, and ingenious and often feature moving parts. In creating designs for his traditional wooden toys, Fine art often envisions a Victorian father making Christmas presents for his children, and tries to imbue his designs with that sensitivity. His dear for the patina and amuse of antiquarian toys led him to formulate an aged finish for his work. Art has demonstrated at the Smithsonian folklife Festival in Washington, DC, numerous fairs, festivals and schools in New England, and has shown his work at the Sharon Arts Centre in New Hampshire, the Chaffee Arts Center in Rutland, Vermont, and the Kalamazoo Heart for the Arts in Kalamazoo, Michigan. Preferred activities and age groups: Demonstrations and hands on workshops at community locations such as libraries, schools, historical societies, fairs, and festival for groups of all ages. Art welcomes visitors to his workshop in Marlow and maintains a small retail shop connected to the work space. Y'all can visit past chance or appointment. 124 Washington Pond Rd |
| Lucian Avery Lucian Avery has been practicing the trade of a blacksmith, shaping hot iron for over xx years. He owns a forge in Hardwick, Vermont where he teaches classes and demonstrates to groups. Lucian has learned a lot of skills from his ain dedication to the arts and crafts merely has besides pieced together instruction from workshops with primary artists across the country, books, and more intensive workshops. He was originally absorbed with the goal of producing his ain garden tools and has harnessed the ideals of excellence in adroitness, patience, and not giving up from his father, likewise a craftsman. Today he focuses on early American hardware and functional pieces. Preferred activities and age groups: Demonstrations and easily-on workshops for all ages. 736 Mackville Rd |
| Pam Bartlett Pam Bartlett start began rug hooking in 1982 with noted teacher Hallie Hall of Contoocook, NH. Pam enjoys sharing her dearest of rug hooking and its history with people of all ages. She feels it is important to preserve the traditional arts, crafts, and skills that served the needs and provided comfort in every day life to previous generations. Pam is a certified carpet hooking instructor with the Pearl K. McGown Rug Hooking Guild and has completed the instructor training plan with the Rug Hooking Lodge of Nova Scotia. She is a juried fellow member of the League of New Hampshire Craftsmen and has taught her craft at schools and workshops in the U.S. and Canada. She has been awarded 2 Traditional Arts Apprenticeship grants from the New Hampshire State Quango on Arts to teach aspiring apprentices. She too teaches at her abode studio in Loudon, Due north.H. Pam's work has been exhibited at venues in New Hampshire including Gallery 205, the Franklin Pierce Constabulary School, both in Concord and at the American Independence Museum in Exeter. She has also exhibited her hooked rugs at the Shelburne Museum'southward Dark-green Mt. Rug Hooking Lodge Annual Showroom in Vermont and the American Folk Art Museum in New York City. Her hooked piece "Clew Bay, County Claire, Republic of ireland" was a finalist at the Carnegie Middle for Art and History's annual exhibit in New Albany, Indiana. Pam has demonstrated at several museums in New Hampshire including Canterbury Shaker Village and Strawbery Banke Museum. Preferred activities and historic period groups: Demonstrations and hands on workshops at community locations such as libraries, historic societies, fairs, festivals, and museums for all ages. 153 Mudgett Hill Rd |
| Allan Batchelder Allan Batchelder builds dulcimers, a unique stringed instrument enjoyed for its beauty and delicate sound. The word dulcimer is Graeco-Roman and ways "sweet song." The dulcimer is a very ancient instrument and related to the harp and the modern mean solar day piano. It can be played equally a solo instrument or in ensemble with other instruments. There are many variations of the dulcimer played around the globe. Allan makes two types that are function of the American tradition. The trapezoid-shaped hammered dulcimer was brought to Colonial America from Europe. Information technology has courses of strings running horizontally and is played with delicate felt-covered hammers. The hourglass-shaped Appalachian dulcimer evolved in the mountains of the southern United states of america. It has fewer strings and is typically strummed. Allan began playing and building dulcimers in the tardily 1970s. He uses mostly locally obtained woods and paw woods-working techniques. His demonstrations include an emphasis on the importance of hand-fabricated craft in modern times. Preferred activities and age groups: Demonstrations and performances at fairs and festivals, museums, and other customs locations such as libraries and historical societies. Interested in demonstrating primarily to families and developed audiences. PO Box 138 |
| Galen Beale Galen was taught the "fancy craft" of Shaker poplarware past Eldress Bertha Lindsay and Eldress Gertrude Sule, while she was working at Canterbury Shaker Village as an herbalist and craft coordinator. Forth with Roger and Marjorie Gibbs, Galen worked to master the craft. Together they formed "Beale & Gibbs" around 1986. Galen has been demonstrating and producing poplarware containers for museums and collectors ever since. She has lectured on poplarware and taught classes at many of the Shaker villages and has spoken for Elderhostel groups, Shaker Seminar groups, and Shaker Studies' courses. She co-authored the Berkshire Firm publication "Shaker Baskets and Poplarware". Preferred activities and historic period groups: Presentations at community locations such as libraries, historic societies, fairs, festivals, and museums. Interested in offer educational demonstrations for all ages and hands-on workshops for adults. 34 Oxbow Pond Road |
| Barbara Beeler Barbara Beeler makes bentwood boxes in the tradition of the Shakers. Shakers were well known for the quality of their oval-shaped bent wood boxes, which feature overlapping joinery attached with copper tacks. Barbara is a New Hampshire native and learned to brand Shaker boxes from Steve Allman, the former box maker for Canterbury Shaker Village. She works equally an interpreter for Canterbury Shaker Village and is the lead box maker there. She has demonstrated this tradition at a variety of locations including the Wadsworth Athenaeum in Hartford, CT and the Parish Museum in Southampton, NY. Barbara represented New Hampshire at the 1999 Smithsonian Folklife Festival and at the expanded restaging Celebrate New Hampshire festival held in 2000 in Hopkinton, N.H. Barbara also creates traditional Shaker-style full length cloaks in wool with sizes ranging from those for dolls, children, and adults. Preferred activities and historic period groups: Demonstrations at schools, fairs, festivals, museums and other community locations. Hands-on workshops with sixth grade students through adults, including the elderly. Eat Tail Designs |
| Andre Belanger Andre Belanger is a versatile artist with expertise in a variety of mediums. Working out of his workshop, Studio Works, located in Berlin, N.H. he makes one-of-a-kind custom signs in the tradition of early American sign makers for businesses, museums, private homes, and other needs. Andre uses traditional wood working techniques and hand tools. His signs can exist left unpainted to showcase the beauty of the wood or painted with indelible colors for outdoor display. Andre is as well contemporary mural painter and sculptor. His creative skills have brought him recognition and prestigious commissions in New Hampshire and beyond. In 2000, he demonstrated sign etching as part of the New Hampshire programme at the Smithsonian Folklife Festival and demonstrated again at the Celebrate New Hampshire festival held in 2000 in Hopkinton, Northward.H. He has been commissioned to create artwork for the State Arts Council'southward Percent for Art program and created the Community Spirit Award for the 2005 Governor's Arts Laurels. In 2006, Andre was deputed past the Old Man of the Mount Legacy Fund to pattern and fabricate the New Hampshire Profile Honor, an award created to accolade groups and individuals that embody the force and grapheme of the country symbol. Most recently, Andre designed the State of New Hampshire Medal of Laurels that will be awarded posthumously to New Hampshire veterans lost in the line of duty. Andre also teaches cartoon, painting and sculpture to students of various ages and abilities, including both gifted students and the developmentally disabled. He has given workshops at his studio and at various schools and institutions in multiple disciplines ranging from basic pattern to mural painting. Preferred activities and age groups: Demonstrations and hands on workshops at community locations such as libraries, historic societies, fairs, festivals, and museums for all ages. Bachelor for single 24-hour interval presentations, multiple day commitments, and long term residencies. StudioWorks |
Rhonda Besaw Traditional and Gimmicky Wabanaki Beadwork Rhonda Besaw is an internationally known beadworker of Abenaki descent. The Abenaki are a northeastern Algonkian people and i of the v members of the Wabanaki confederacy (comprised of the Mi'kmaq, Maliseet, Penobscot, Passamaquoddy and the Abenaki). Abenaki territory ranges from southern Quebec, NH, VT and northern MA. Rhonda'due south ancestors are from southern Quebec, northern NH and all forth the Connecticut River Valley in both NH and VT. Beadwork has long been an expression of cultural identity. Rhonda is one of a relatively tiny number of beadworkers standing to work in the traditional fashion of her people. Rhonda began doing beadwork in 1996, originally taught by a Mi'kmaq woman. Rhonda specializes in traditional regalia, beaded jewelry, beaded purses and beaded portraits. Her work has appeared at numerous museums, galleries and in private collections. Rhonda is a juried member for the League of NH Craftsmen, a member of the Arts Brotherhood of Northern NH and is the first Native American creative person from NH to receive a grant from the New England Foundation for the Arts- Native Arts program. Rhonda's piece of work has been featured in the Bead Club of Peachy United kingdom magazine, NHToDo magazine and Indian Country Today mag, amongst others. Rhonda has given beadwork classes at the Mt. Kearsarge Indian Museum in Warner, NH and has given beadwork demonstrations at the MKIM and the Abbe Museum in Bar Harbor, ME. Preferred activities and historic period groups: Demonstrations in a multifariousness of community and informal settings; beadwork classes for adults. Interested in presenting to high school students and adults. 262 Lancaster Rd |
| Scott Biron Scott Biron cut his teeth learning to necktie flies and wing fish dorsum in the1960s in the North Canton of New Hampshire. He has fished many of the streams north of Route 26 in NH and his favorite the Androscoggin River. Scott is an agile fly tying teacher for NH Fish & Game and is popular tying and instructing in national and regional shows. He was awarded a 2022 NH Traditional Arts Apprenticeship Grant and studied under Peggy Brenner, where they worked on Traditional New England Streamer patterns and progressed to Classic Salmon Flies. Since then he has become a Primary Artist in the Traditional Arts Program. Scott has a potent interest in historical NH fly tyers and their lost patterns and has published, researched, instructed equally well as demonstrated many of these lost NH fly patterns. He enjoys instructing individuals of all ages in the art of fly tying and is known for including the history of these tyers and their flies in his educational activity. Scott is considered an expert on large group instruction and offers dozens of classes twelvemonth round. Each year he is an volunteer instructor at NH Fish & Game's Camp Barry's Fish Campsite where he instructs over 50 campers in fly tying and fly fishing. Scott is a member of the Catskill Fly Tyers Guild and writer for the NH Wildlife Journal with an article on Caddis Flies. Preferred activities and age groups: Demonstrations and easily-on workshops for all ages. 63 Pierce Rd |
| Bob Boynton, Jr. Bob Boynton has been making oxen yokes and bows since 1980. He started by making a yoke for his own team of oxen and with his Yankee ingenuity went on to make equipment for others who needed it. Bob has demonstrated ox yoke making at Muster Field Farm Days in N Sutton, New Hampshire for 23 years. He represented New Hampshire at the 1999 Smithsonian Folklife Festival and the Celebrate New Hampshire festival held in Hopkinton in 2000. An active community fellow member, he built a delivery railroad vehicle for the Goffstown Historical Guild and worked on the Dunbarton Hearse Restoration Committee. Bob is as well a foursquare dance caller. He began calling dances in 1983 and has taught square dancing to 4-H clubs and at camp grounds throughout New Hampshire. He specializes in a mode of calling known equally "Singing Squares." His dances also include waltzes, trick trots and polkas. He is the regular caller for a modest grouping of dedicated dancers who come across in Contoocook, NH. Preferred activities and age groups: Demonstrations at schools, festivals, and community events for all age groups. Square trip the light fantastic toe calling for community gatherings and private functions for all ages. Can teach to square trip the light fantastic in one evening! 220 Mansion Rd |
| Margaret Brenner Peggy has been tying flies for over 20 years with a specialty in flies that fish well in New England, parts of the West, and the Florida Keys. She started with the nuts, progressed to Classic Maine Streamers and at present Classic Salmon flies. She has studied with fly tyers nationally including a Traditional Arts Apprenticeship with Larry Antonuk. Since then she has gone on to get a Principal Artist in the Traditional Arts Plan taking on her own apprentice while standing to demonstrate and teach workshops nationally. She ties for a small group of customers, besides as giving education with a focus on ladies and children's classes, presentations, and demonstrations. Preferred activities and historic period groups: Demonstrations and hands-on workshops for all ages. 266 North River Rd |
| Omar Clairmont Omar Clairmont is a fine furniture maker and carpenter. He specializes in traditional Windsor way chairs fabricated from woods native to New Hampshire. Clairmont'due south male parent was a cocky-employed sawmill owner. His inspiration to make piece of furniture came from seeing the way a pile of lumber delivered at a local chair shop was transformed into fine furniture. Clairmont is a member of the New Hampshire Article of furniture Masters Association, the Guild of New Hampshire Woodworkers, and a juried member of the League of New Hampshire Craftsman. Clairmont has demonstrated Windsor chair making at a variety of customs events including Canterbury Shaker Village and the New Hampshire Preservation Brotherhood's One-time House & Barn Expo. Clairmont represented New Hampshire at the 1999 Smithsonian Folklife Festival and at the expanded recreation of that plan at the Celebrate New Hampshire Festival in Hopkinton in 2000. Preferred activities and age groups: Demonstrations at community locations such as libraries, historic societies, fairs, festivals, and museums. PO Box 194 |
| David Courtroom David Courtroom began working as a blacksmith in 1971. A long family connectedness to New England and an intense interest in early American fe work provided him with ample examples of fine workmanship. The direct arroyo to the blueprint and execution of antique atomic number 26 appealed to him from the beginning. The mystery and magic of producing fine works with hammer, tongs, and open fire captivates him to this day. Over time his style of blacksmithing has broadened to incorporate a broad range of piece of work just the ascetic qualities of early American fe still course the basics of his manner. Court specializes in traditional joinery and peculiarly forge welding. Courtroom is a member and by officer with the New Hampshire League of Craftsmen, Artist Blacksmiths of Northward America (ABANA), The New England Blacksmiths and the American Crafts Council (ACC). Preferred activities and age groups: Hands-on workshops, demonstrations and lectures at a diverseness of customs settings primarily in the Merrimack Valley and at David's shop in Northfield. Commissions and private lessons bachelor upon request. Interested in working with ages 12 and up. 291 Bay Hill Rd |
| Hildy Danforth Hildy Danforth has been raising sheep and hand spinning for over 25 years, and has been knitting for fifty-fifty longer. She is accomplished in traditional knitting patterns and had developed some of her own. She produces a diversity of yarn and garments for herself and for others. Hildy enjoys sharing the traditions of material manufacture with new and experienced spinners, school children, and adults. The role of textiles in developing society is one she loves to share. She is particularly interested in sharing the history and traditions of cobweb processing both in pre-history and in colonial New England. Preferred activities and age groups: Demonstrations and hands-on workshops featuring hand spinning with spindles and spinning wheels using natural fibers at schools, libraries, historic societies, fairs, festivals, and museums in the White Mount region and The Nifty Due north Woods. Interested in working with Kindergarten through quaternary grade and adults. 725 North Rd |
| Fred Dolan Fred Dolan is a nationally recognized wood carver, specializing in waterfowl and song birds. Dolan has been etching for over twenty-five years and has been honored for his fine adroitness at numerous exhibits and gatherings of wildfowl carvers. He incorporates his extensive cognition of wildlife conservation into his workshops and lectures. Dolan is a juried member of the League of New Hampshire Craftsmen and his carvings are in many private collections. He has received several Traditional Arts Apprenticeship grants to teach apprentices. Dolan has demonstrated decoy etching at numerous festivals including the Lowell Folk Festival in Massachusetts and the Northwest Folklife Festival in Seattle, Washington. He represented New Hampshire at the 1999 Smithsonian Folklife Festival and the Celebrate New Hampshire festival held in Hopkinton in 2000. He was awarded a New Hampshire Country Council on the Arts Governors' Arts Accolade in Folk Heritage in 2017. Preferred activities and age groups: Lecture and slide presentations on the history of New England decoys and their makers. Hands-on workshops with adults. 161 Befouled Door Gap Rd |
| Deborah Dostie Deborah Bazin Dostie is a New Hampshire native of Native American descent who works in the Navajo tradition of beadwork. She first learned bead working from her Grandmother who taught her many Navajo traditions. The tradition of beading has stuck with Debbie, and it is where she says her easily and center take plant their home. Debbie is a juried member of the National Indian Arts and Crafts Association, and currently teaches and demonstrates at the Mt Kearsarge Indian Museum in Warner, NH. Preferred activities and age groups: Demonstrations, Hands-on workshops at schools, community locations such as libraries, historic societies, etc., fairs and festivals, museum settings 120 Merrimack St |
| Dan Dustin Dan Dustin has been making spoons in New Hampshire for over 35 years. He comes from a long line of men who split forest when they needed axe handles, sleigh runners, or shingles. His wooden spoons come out of this tradition. Dustin'southward spoons are worked greenish and split with the grain. This makes them stiff, flexible, beautiful, and useful. Dan is besides active as an instructor. He teaches Manus Spoon Making at the Kimball-Jenkins Art School. He frequently lectures and gives hands-on workshops to groups of all ages. Preferred activities and age groups: Demonstrations, hands-on workshops, and lectures at schools, libraries, historic societies, museums, and lecture halls. Interested in working with groups of all ages. 364 Dustin Rd |
| Craig Evans Craig Evans has been weaving for over 30 years, specializing in spinning, dyeing, and traditional weaves of the belatedly 1700s to early 1800s. He apprenticed with master weaver Norman Kennedy (2003 recipient of a National Heritage Award) from Vermont. Craig has worked as an artist in residence in Vermont schools, weaving teacher at Goddard College and given many slide lectures and easily on demonstrations in New England. Craig works in wool, cotton and flax and uses celebrated looms and patterns for a large bed coverings, linenwares, garments, and other textile products. Preferred activities and age groups: Demonstrations and lectures at customs locations such as libraries, historic societies, fairs, festivals, and museums. Interested making presentations to adults but. PO Box 888 |
| Marina Forbes Marina Forbes is a native of Saint petersburg, Russia, and an honour-winning teaching artist, historian and lecturer who started painting at the age of 6 at the Hermitage Museum Schoolhouse of Arts and has written extensively on Russian traditional arts, history and the rich tapestry of Russian culture. She is licensed with the Hermitage Museum in St. Petersburg and, each year, she leads cultural tours to Russia. During her visits to Russia, she regularly updates her noesis and artistic skills, gathering unique photos and manuscripts, participating in icon and fresco restorations in former Russian churches and monasteries, visiting craft factories, interviewing and working with chief artists and scholars, and documenting traditional painting techniques (including floral and berry designs and decorative ornamentations from small villages famous for their unique arts and crafts traditions). Marina brings her extensive noesis to her individualized icon painting classes and interactive and illustrated presentations on the Russian Icon Painting tradition. Preferred activities and age groups: Activities include easily-on workshops, demonstrations, storytelling and master classes for the whole community (adults, teens and families with children aged 6 and upwardly) focusing on traditional Russian arts, crafts, and civilization. Illustrated presentations, lectures, and storytelling are bachelor for all age groups in age-appropriate formats. The preferred audiences for school art residencies and artistic after-school programs on traditional Russian arts, crafts and culture: K-12. Special Primary classes and hands-on workshops designed for teachers and art teachers are also bachelor. 16 Hillside Dr |
| Michael French Michael French worked every bit an interpreter at Canterbury Shaker Village and demonstrates Shaker boxmaking there. Shakers were well known for the quality of their oval-shaped aptitude wood boxes, which feature overlapping joinery fastened with copper tacks. Michael is a New Hampshire native and learned to make Shaker boxes from master box maker Barbara Beeler (also in this Listing). Michael studied Elementary Didactics at Plymouth State College and prior to working at Canterbury, he worked as an environmental educator at the Squam Lakes Natural Science Eye. Michael has demonstrated box making throughout New England and enjoys helping people learn more than about the broader tradition of bentwood boxmaking and it's connection to Native American and Scandinavian traditions. Preferred activities and historic period groups: Demonstrations and easily-on workshops for schools, fairs, festivals, museums, and other community locations such as libraries, historic societies, etc. Interested in working with all historic period groups including the elderly. 83 Main St #ii |
| Sara Glines Sara Boothman Glines is a traditional doll maker. Her dolls, called "SaraSally Dolls," are based upon her family unit's multi-generational history of living and working in the foothills and valley nigh Mount Adams, Mountain Madison, and the boondocks of Randolph in Coos County. Glines, her sister Rebecca Boothman Parker (Becky) and Sue Boothman Hawkins (1950-2004) worked together to develop two series of doll figures. One series represents family members and their stories; the other depicts favorite White Mountain activities and vocations. Every bit much as possible, Glines uses authentic, local products for the dolls, their article of clothing and accessories. Each doll is a limited edition, and nearly are made to guild or completed for display at a specific event. For her inspiration, Glines, has researched, interviewed family members, and nerveless historic photographs. She is active in her community demonstrating at local crafts fairs and events. She represented New Hampshire at the 1999 Smithsonian Folklife Festival and the Celebrate New Hampshire festival held in 2000 in Hopkinton. Preferred activities and historic period groups: Demonstrations in schools and hands-on workshops with children and adults focusing on inventiveness, problem solving, and disquisitional thinking. 172 Randolph Hill Rd |
| Sherry Gould Sherry Gould is a New Hampshire native of Abenaki descent. Her ancestors were brown ash utilitarian handbasket makers, only the Abenaki community in Odanak, Quebec also developed the art of fancy basket making. Sherry studied Abenaki fancy baskets in 2004 and 2007 with primary artist and Native American Historian Jeanie Brink through the Land Council Traditional Arts Apprenticeship Program. The Abenaki accept both unique utilitarian and fancy basket styles, and Sherry has been fortunate to study with masters of both traditions. Together Sherry and her husband, William Gould, studied commonsensical Abenaki basket making in 2006 nether Master artist Newt Washburn of Bethlehem, NH. Newt was a recipient of a National Heritage Award in 2005 for his craftsmanship and work in preserving the Abenaki divide ash basket making techniques. Newt Washburn's Sweetser family basket manner has been prominent in Northern New England since 1850. Every bit the master basket makers of Odanak laissez passer on, Sherry and her husband feel very privileged to be able to make these baskets and teach other Abenaki to make them too. She demonstrates and gives workshops across the state at many cultural and historical events, and has taught two apprentices through the State Quango Apprenticeship program. Sherry is the offset Native American to be a juried member of the League of New Hampshire Craftsmen. Preferred activities and age groups: Demonstrations, hands-on workshops, and lectures at community locations such as libraries, historic societies, schools, fairs and festivals, museum settings, and lecture halls; for young children with adequate adult assist through the elderly. 3210 State Rte 114 |
| Molly Grant Molly Grant began leatherworking in her early 20's, starting time by working on her own and then by apprenticing at the Black Swan Leather shop in Portsmouth, NH, where she learned the bones skills of traditional leatherworking. Molly first saw Cordwainer Shoes when she was ten years quondam at the League of New Hampshire Craftsmen's Fair, known nationally as the oldest craft fair in the nation. She became a juried member in 1989, and participated by showing her line of handbags. There, she had the opportunity to meet Paul Mathews, owner of the Cordwainer Shop. Within a few months' time Molly was traveling to arts and crafts shows nationally with Paul and learning the Cordwainer fine art. Molly nevertheless makes handbags, but the main business is footwear and teaching shoemaking workshops at the shop and at craft schools across the country. Preferred activities and age groups: Demonstrations and hands-on workshops for all ages. PO Box 110 |
| R.P. Hale R.P. Hale is a multigenerational and interdisciplinary artist-craftsman who has taught his skills nationwide since 1976. His expertise includes: he is a concert harpsichordist and hammer dulcimer player, harpsichord/dulcimer maker, chief calligrapher and illustrator, pen-and-ink creative person, nationally-known wood-engraver, Intaglio and Letterpress printer, woods carver, maker of marbleized papers and fabrics, period re-enactor, linguist, solar and archaeo-astronomer, and historian. In 1999, the Smithsonian Institute recognized R.P. as one of the meridian musical instrument makers in the U.S., and included his work in their showroom devoted to these craftsmen. His concerts reverberate his wide-ranging musical interests from c.750 B.C. works from China to that of Sir William Herschel of the 1790s. Born to a Sonoran Mexican family of artists and printers, his programs "La História Cultural de México," "El Calendro Azteca," and "Astronomy, Math. Calendars, and Histories of the Maya," respectively feature the history of Mexico every bit seen through the arts and traditional lore. R.P. received a Fellowship from the Land Arts Council and in 2000 was invited to present his multi-faceted traditions at the Gloat New Hampshire festival. He performs solo and is in heavy demand by ensembles for his improvised accompaniment skills at the harpsichord and organ. R.P. teaches—and woods-carves—at St. Paul's School and is Senior Educator at the McAuliffe-Shepard Discovery Center, specializing in spectroscopy, star evolution, mathematics, physics, astronomy history and archaeoastronomy, and has built a spectroscopy/optics instruction lab in that location. He taught summers at the Augusta Heritage Center in Elkins WV for 33 years, in all the arts he is involved in, and is visiting kinesthesia in art (printmaking, drawing, calligraphy) and astronomy at Davis and Elkins College. Preferred activities and historic period groups: Lecture-demonstrations; workshops; master classes; residencies; living history programs and re-enactments of Leonardo DaVinci, Galileo Galilei, Sir William Herschel, and J.S. Bach; "Qui Es in Coelis: Music of Astronomy," "History of Astronomy in Art," "Maya and Aztec Cultures," "Mesoamerican Art in Archaeoastronomy," and "The Art and Scientific discipline of Light and Color." Printmaking sessions include linoleum-block, Intaglio, monoprint, woods engraving; paper-marbling, and paw-fix blazon. Calligraphy includes Intro to Italic, Intro to 18th-Century Quill-Pen Writing, and other hands, illumination, design and applications. His programs integrate with history, sciences, mathematics, and languages. 59 Penacook St |
| Diane Smith Howes Diane Smith Howes has been weaving for twenty years and has been demonstrating weaving, spinning, and natural dyeing all over New England for about xv years. She specializes in traditional hand weaving using pieces of original textile equipment and spinning flax and wool on antique wheels. In 2015, Diane completed an apprenticeship with primary weaver Craig Evans to study traditional manus weaving in early New England through a Traditional Arts Apprenticeship grant from the NH Country Council on the Arts. She has taken a course in traditional hand weaving from Marshfield Schoolhouse of Weaving in Vermont and in 2012 earned her Master'south certificate in Mitt Weaving from the Loma Constitute in Massachusetts. Preferred activities and historic period groups: Demonstrations and lectures at community locations such as libraries, historical societies, fairs, festivals, and museums. Interested in working with school anile children sixth grade through high schoolhouse, college students, adults and seniors. 57 Pine St |
| Laurel Jamieson Laurel Jamieson learned to spin fiber over 30 years agone when she took a course from Pamela Grob at The Cobweb Studio in Henniker, NH. Since then she has been captivated past learning the techniques and history of many spinning techniques including driblet and back up spindles. Today she specializes in the process of turning a raw sheep's fleece into a functioning textile. She is experienced in scouring, carding, combing, spinning, plying, dying, knitting, and weaving. Laurel is an avid historian who actively researches textiles from mod twenty-four hours through the Bronze and Iron Age. Preferred activities and historic period groups: Demonstrations and hands-on workshops for all ages. 332 Walnut St |
| Garry Kalajian Garry Kalajian began blacksmithing full fourth dimension in 1993. His work is comprised of pieces based both on historical and original designs, and is distinguished past a faithful application of traditional tools and techniques. Past commissions include door hardware, lighting fixtures, and hearth effects. Preferred activities and age groups: Demonstrations for all ages. If a suitable space exists, easily-on workshops for small groups of middle school age and older. 267 Forest St |
| Fred Kretchman Fred Kretchman specializes in crafting fine separate bamboo fly rods. An avid fisherman himself, he got involved in making traditional bamboo rods in the early 1990s. Over the years he has mastered the nuances of making a well balanced and artistically beautiful rod suited to the particular needs of the person he is making the rod for. Kretchman also repairs, restores and appraises antiquarian bamboo rods. He has lectured all over New England and enjoys showing others how bamboo rods are made. In 1998 Kretchman'due south fly rods were featured in the Fuller Art Museum in Brockton, Massachusetts in the exhibit "Crafted for Sport." He represented New Hampshire at the 1999 Smithsonian Folklife Festival and the Celebrate New Hampshire festival held in 2000 in Hopkinton. Kretchman has been demonstrating cane rod making at the American Museum of Fly Angling'south 'Festival Weekend' held in Manchester, Vermont every May, since 1996. Preferred activities and age groups: Demonstrations for all ages at schools, libraries, historic societies, fairs, festivals, museums, and other venues. 48 Crockett Neck Rd |
| Dona Larsen Dona Larsen preserves her Norwegian heritage through knitting and cooking. She specializes in the making of Norwegian wool sweaters with traditional decorative patterns and embroidered borders. Her sweaters are ane-of-a-kind masterpieces of skill and artistry. Dona is active in Berlin'due south Norwegian community. Dona demonstrated knitting and cooking every bit part of the New Hampshire presentation at the 2000 Smithsonian Folklife Festival. She demonstrated again in 2000 at the expanded recreation of the Smithsonian program at the Gloat New Hampshire festival held in Hopkinton, N.H. She has besides worked as a "moose guide" for North Country visitors and is familiar with the sociology and habits of ane of our state's most recognizable symbols. Preferred activities and age groups: Demonstrations and workshops at customs locations such equally schools, libraries, historic societies, fairs, festivals, and museums for all ages. 68 Marne Ave |
| Grigory Likhter Grigory is a master woodworker specializing in fine furniture, cabinetry, and traditional Russian chip carving--a style of geometric ornamentation typically done on effects, frames and interior elements of Russian Orthodox churches. Likhter was born in Moscow, Russia and trained as a traditional woodcarver during his teenage years. He first came to the United States at the age of 17 with his mother. He went on to graduate from the Parson's School of Pattern in N.Y. and ran a successful woodworking business. He returned to Europe later the fall of the Soviet Union and ran a glass company in Finland for several years. He immigrated to the United states in 2000 and settled in Sunapee. He is active in the community and has washed much of the Russian chip carving for the interior of the Holy Resurrection Orthodox Church in Claremont, Northward.H. Likhter's skills now extend to historic restoration of interior forest work on early New England homes including paneling, moldings and decorative elements. Preferred activities and age groups: Demonstrations and lectures for all ages at museums and other customs locations such as libraries and historical societies. Hands-on workshops for 9th grade to college aged students & adults. 59 Central St |
| Rodney Miller Rodney Miller is master of New England trivial, a uniquely American blend of French Canadian and Celtic influences. He has earned a reputation equally one of the country's finest dance fiddlers. Over the by thirty years Miller has toured the United States, Canada, the British Isles, Australia and Denmark. In 1999, he also performed with guitarist and mandolin player David Surette equally role of the New Hampshire presentation at the Smithsonian Folklife Festival. In July of 2008, Miller performed at the 70th National Folk Festival in Butte, MT and sponsored by the State Arts Quango, represented New Hampshire at the Quebec 400 festival. Miller has recorded over x albums. His recordings Airplang (Rounder Records) and New England Chestnuts (Vol. 1 and 2) have go classics for fiddlers worldwide, and many of his original compositions have gone on to go fiddle tune standards. Rodney'due south most recent recording is Spyglass: Waltzes, which he recorded with his daughter, Elvie Miller playing piano and squeeze box. Rodney was prominently featured in a documentary on contra dance in New England called Together in Time. Rodney is also a gifted instrument maker for Stamell Stringed Instruments. From his workshop in New Hampshire, Rodney crafts individually handmade violins, every bit well as wonderful student instruments known equally the Rodney Miller Series. His violins, violas, and cellos possess a richness and warmth sought out by musicians nationwide. Visit Rodney'due south website link below for more data on his recordings and violin making. Preferred activities and age groups: Performances, easily-on workshops in fiddle techniques, repertoire and/or violin making for all ages. As well works with several New England contra trip the light fantastic toe callers and tin do schoolhouse dances and concerts. 111 Brimstone Corner Rd |
| Beverly Nemetz Beverly Nemetz specializes in Early on American decorative painting, which is sometimes chosen Tole painting. Tole painting goes back to the 1700s in Europe (England, France, Germany, and Scandanavia) when decorative painting of ceramics and household items like trays, boxes, and furniture became pop. Tole painting is distinguished by single brush strokes, by and large of floral designs. Nemetz learned the tradition from her mother Helen Learned with the help of a Traditional Arts Apprenticeship grant. She preserves her female parent's frail designs and has adult her own within the tradition. Nemetz is also accomplished in culinary arts and has been giving both private and college level culinary instruction presentations since 1994. Preferred activities and age groups: Demonstrations and workshops at community locations such every bit libraries, historic societies, fairs, festivals, and museums. Interested in presenting demonstrations for all ages and workshops with adults. PO Box 688 |
| Alice Ogden Alice Ogden is a nationally recognized basket maker, specializing in making baskets from locally grown and harvested blackness ash copse. She uses the traditional methods of pounding and stripping off layers of growth rings from the ash logs, stripping the splints to finer weavers, and etching handles out of white oak logs. Preferred activities and historic period groups: Lecture-demonstrations; workshops; principal classes; residencies for all ages. Grades Grand-12, colleges, adults, senior citizens; Basket guilds across the land 35 Flaghole Route |
| Diane Louise Paul Diane Louise Paul creates beautiful handcrafted leather items. She began her piece of work in leather making tack for horses and has bridged out to other forms including sleigh bong straps , burn buckets, belts, dog collars, and leashes. She makes each item by hand, cutting, stitching, and finishing the leather with the aforementioned tools and techniques used over a hundred years ago. Early American Life magazine named Diane 1 of the top traditional craftsmen in the state eight years in a row. Diane is also a juried member of the League of New Hampshire Craftsmen. She is one of the craftsmen featured in the 75th Anniversary documentary most the League of New Hampshire Craftsmen, A League of Our Own. Diane has as well been featured in WMUR'due south New Hampshire Chronicle. Preferred activities and age groups: Demonstrations at schools, fairs and festivals, museums and other community locations such every bit libraries and historical societies for all ages. PO Box 1102 |
| Helen Pervanas Helen Pervanas preserves the Greek heritage of her family unit through cooking. If you have ever wanted to learn how to make Greek specialty dishes like pita and baklava, she offers workshops on traditional greek cooking. Her demonstrations and workshops provide y'all with traditional Greek recipes that take been handed down from generation to generation and evidence you step-by-pace how to prepare them. Demonstrations and workshops can exist customized for any size group, assuasive participants to pick and choose the recipes that will be prepared. Specialty Greek dishes and desserts include: baklava, spanokopita, finikia, pastichio, meatballs, and backed lamb dishes to name a few. Preferred activities and historic period groups: Hands-on workshops and presentations for groups of all ages at schools, fairs and festivals, museums, libraries, historical societies and other community locations. 17 Birkdale Rd |
| Russell East Pope Perfecting his skill for over 30 years, Russell Pope remains ane of a few full-time blacksmiths in the United States. He specializes in decorative functional hand forged ironwork. Russell was raised in North Conway, N.H. and started his store Elements of Steel in 1975 in Newmarket, Due north.H.. Russell is an active member and former president of the New England Blacksmiths Order and a member of the American Blacksmiths Clan of North America (ABANA). In 2000, Russell demonstrated traditional blacksmithing for the New Hampshire program at the Smithsonian Folklife Festival and was commissioned to make an archway gate for the festival site. He demonstrated once again at the expanded recreation of the Smithsonian program at the Gloat New Hampshire festival held in Hopkinton, N.H. Preferred activities and age groups: Demonstrations at fairs, festivals, and museums for all ages. 32 N Principal St |
| Ron Raiselis Ron Raiselis is one of the few agile coopers (wooden barrel maker) in the The states. The word "cooper" is virtually likely derived from the Latin word for vat "cupa." In New England, coopers arrived with the first English settlers in the 1620s and their piece of work was essential to commerce and daily life. Ron's dandy Grandad, Benedict Raiselis, immigrated to the U.s.a. from Republic of lithuania and took upward the cooper'due south trade in Meriden, Connecticut. Benedict made many of his own tools which Ron still occasionally uses today. Ron began started his journey as a cooper at Sturbridge Village in the 1970s and trained with cooper Lenny Julian. Ron has gone on to become a master cooper himself and is an proficient at making barrels for dry goods and barrels that tin can agree liquid, called tight kegs or wet cooperage. Ron has served as the resident cooper at Strawbery Banke Museum in Portsmouth, N.H. since 1985, where he maintains a traditional cooperage shop. He demonstrates for school children and other visitors to the museum. He has been demonstrating the trade of cooperage at many living history museums in New Hampshire, Maine, and beyond for over 20 years. Preferred activities and age groups: Demonstrations and lectures at schools, fairs, festivals, museums, and other community settings for all ages. Interested in working with school anile children - middle school through high school. PO Box 4054 |
| Jon Siegel Jon Siegel is a wood turner. His fascination with wood began at age 14 when his father bought him a lathe from Sears. Siegel is now achieved at his arts and crafts and makes wood turnings for furniture and architectural applications, original piece of furniture, and enjoys teaching and demonstrating forest turning. He has demonstrated at the World Turning Conference in Wilmington, DE; the American Clan of Woodturners National Symposia in Providence, RI and Akron, OH; and five times at the New England Turning Symposia held in New Hampshire. Siegel represented New Hampshire at the 1999 Smithsonian Folklife Festival and at the Celebrate New Hampshire festival held in 2000 in Hopkinton. He is a founding member of the Guild of New Hampshire Woodworkers, a group defended to woodworking didactics, and a long time member of the New Hampshire Furniture Masters Association. Machining metal is another of Siegel'south interests. He has a full car shop next to his forest shop where he restores antique mechanism and makes tools for himself and others. In 1995, he and his wife Patrice started Big Tree Tools, Inc., a visitor dedicated to providing innovative tools and accessories for wood workers and turners. He is likewise an avid pool player and makes custom puddle cues. Preferred activities and historic period groups: Demonstrations at schools, community locations such every bit libraries, historic societies, fairs, festivals, and museums for all ages. 258 Breezy Hill Rd |
| Bob Taylor Bob Taylor is a welder of practical things for local businesses during the working day. Afterwards hours, he turns his traditional skills to more fanciful efforts and becomes a welder of creatures big and small. He is joined my members of his family and close friends in this piece of work and they take populated much of the township of Alstead with their fanciful creations, which include a giant praying mantis, a moose, a gargoyle, a bear, and an hawkeye. Bob Taylor was amid the crafts people invited to represent New Hampshire's Yankee ingenuity at the 1999 Smithsonian Folklife Festival and again at the expanded recreation Celebrate New Hampshire festival held in 2000 in Hopkinton. Preferred activities and age groups: Demonstrations and workshops at community locations such equally libraries, historic societies, fairs, festivals, and museums for all ages. PO Box 253 |
| Jay Trayner Jay Trayner specializes in restoring wooden boats. He grew upwardly in Connecticut and developed an interest in boats at a young age. He took classes from the noted gunkhole architect John Gardner at Mystic Seaport. After loftier school, he furthered his boatbuilding education in Eastport, Maine. This led him to a career in boat building with a specialty of preserving wooden boats. He also makes canoe paddles and caned seats for his canoes. A versatile woodworker, Jay does fine interior work including stairs. Preferred activities and age groups: Demonstrations at community locations such every bit libraries, historic societies, fairs, festivals, and museums for all ages. Workshops for loftier school students to adults. 30 Westward Joppa Rd |
| Kung-Tai Tsay Kung Tai Tsay is both a talented crafts person and accomplished dancer. In her craft work, she specializes in the intricate art of Chinese knot tying. In Chinese tradition, ornamental knots tied with colorful cordage and tassels often beautify wall plaques, scroll weights, and other items. Kung Tai has been tying ornamental knots for many years and is expert in a multifariousness of styles. Kung Tai has been involved with Chinese dance since the early 1990s when she began to study with Chinese dance masters in the Boston expanse. In 1999, Kung Tai was invited to represent New Hampshire at the Smithsonian Folklife Festival and she also demonstrated at the expanded recreation Celebrate New Hampshire festival held in 2000 in Hopkinton, Northward.H. In 2008, she received a Traditional Arts Apprenticeship grant to study classical Chinese dance with master dancer Chu Ling. Kung Tai Tsay is founder of the LeeRen Trip the light fantastic toe Troupe, a not profit organization defended to using trip the light fantastic as a ways of communication across dissimilar cultures. Preferred activities and historic period groups: Demonstrations, performances, and workshops at community locations such as libraries, historic societies, fairs, festivals, and museums for all ages. 11 Shadowbrook Dr |
| Robert Wyatt Bob Wyatt has been tying flies since he was 12 years old watching and learning from his Dad who tied Classic Atlantic Salmon flies. He grew upward taking family angling trips to Nova Scotia, and started tying flies professionally at age 40 and is deeply rooted in the line-fishing tradition. Today in addition to tying flies he leads fishing charters, teaches group workshops in tying, and builds custom rods. He enjoys the intricate handiwork needed to tie fly recipes and had been praised as a patient instructor. He has taught workshops for the NH Fish and Game, NH State Quango on the Arts, and Trout Unlimited. Preferred activities and age groups: Demonstrations and hands-on workshops for Junior Loftier age through adults. 82 Fisherville Rd Lot ix |
Last updated: April 29, 2022
Source: https://www.nh.gov/nharts/artsandartists/tradroster/tradlistingCT.html
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